Scott is a developer who has worked on projects of varying sizes, including all of the PLUGHITZ Corporation properties. He is also known in the gaming world for his time supporting the rhythm game community, through DDRLover and hosting tournaments throughout the Tampa Bay Area. Currently, when he is not working on software projects or hosting F5 Live: Refreshing Technology, Scott can often be found returning to his high school days working with the Foundation for Inspiration and Recognition of Science and Technology (FIRST), mentoring teams and helping with ROBOTICON Tampa Bay. He has also helped found a student software learning group, the ASCII Warriors, currently housed at AMRoC Fab Lab.

Avram's been in love with PCs since he played original Castle Wolfenstein on an Apple II+. Before joining Tom's Hardware, for 10 years, he served as Online Editorial Director for sister sites Tom's Guide and Laptop Mag, where he programmed the CMS and many of the benchmarks. When he's not editing, writing or stumbling around trade show halls, you'll find him building Arduino robots with his son and watching every single superhero show on the CW.

In recent months, AI technologies, especially Generative AI, have become a hot topic. It seems every company wants to provide the service, but consumers are worried about the ethical and legal position of the output. In particular, people are worried about prosecutable plagiarism coming from these systems. In order to help alleviate some of those fears, Microsoft has created the Copilot Copyright Commitment, a promise to take responsibility for any issues from its AI Copilot technologies.

The past decade or so has been rough for the former gaming behemoth: the Electronic Entertainment Expo, better known as E3. The managing organization, the ESA, has been a powder keg of chaos and general incompetence. The COVID-19 pandemic, or more specifically the lockdowns, created massive problems for the already struggling event. ReedPop jumped in to help try to right the ship, but this week, the company said it was ending its relationship with E3 and the ESA was on its own going forward.

Since Elon Musk took over Twitter, things have been chaotic, to say the least. Between name changes, policy changes, and a nearly complete employee change, keeping up with what's going on can be a challenge. One thing that was promised upon takeover was that the new Twitter, which is now called X, would be open, transparent, and less regulated. That hasn't exactly been the reality, and California's content moderation law AB 587 looks to force open the doors revealing the way social networks, including X, work inside.

There is a fine line between what does and doesn't fall under fair use. That line came into clear view this week as the Museum of Classic Chicago TV received a series of copyright strikes from Sony Pictures Entertainment. The strikes revolve around episodes of Bewitched from the 1960s that had been posted to YouTube under the concept of preservation. The strikes would have terminated the channel had SPE followed through on the threat, but backed down when Chief Curator Rick Klein removed the content.